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Rising Horizon

This page focusses on paintings in oil – created between 2017 and 2020 – with each work exploring aspects of our changing Earth: from commentary on rising sea levels, to the importance of re-using and recycling materials. These works have been exhibited during solo shows at The Scottish Gallery in Edinburgh and at Taigh Chearsabhagh Arts Centre in North Uist. They’ve also featured in a range of group events, including Royal Academy and Royal Scottish Academy Open exhibitions. During 2020, these works were presented as part of Scotland’s Year of Coasts & Waters. Most larger works featured here are titled for the heights of their horizon-lines; while smaller painted tins and metal containers are named after seas. Paintings on printer’s trays or plates are named for straits; slides for sounds; stacks for oceans.

 
 
 

30% · Detail (2018–2019)
Post office sign · Belfort
Oil · 30 x 60cm

42% (2017–2019)
Copper water boiler · Edinburgh
Mixed media · 79 x 70 x 28cm

20% (2018–2019)
Railway station sign · Brussels
Oil · 31.5 x 79cm

The notion of a rising horizon is both evocative and timely. Sea levels are rising. This new global phenomenon needs our attention. Cass’s series of paintings creatively pose the topic from dozens of diverse perspectives, upon a variety of supports. Despite appearing to be playful in form, these paintings act as a kind of miniature icepick to the brain, raising awareness.
— John Englander

47% (2018–2019)
Shoe shop sign · London
Oil · 123 x 88cm

100% (2019)
Bus blinds + board · Brussels
Oil · 140 x 130 x 6cm

50% (2020)
Street Sign · Nice
Oil · 66 x 36 x 3cm

44% (2019)
Artist’s box · Brighton
Found oil · 25.5 x 16.5cm

Myrtoan Sea (2020)
Tin · Oil

The horizon, so often muted in earlier art to make it recede properly, has here become a clarion call, a marker of a proportionality that is also a threat to coastlines, as the titles indicate by giving percentages by which the water level might rise through polar ice melt.
— Patricia Emison

48% · Detail (2019)
Street sign · Belfort
Oil · 109.5 x 65cm

36% (2019)
Road sign · Paris
Oil · 146 x 45cm

25% (2018)
Shop sign · Belfort
Oil · 63 x 96cm

58% (2019)
Lenses box · Brussels
Oil · 24.5 x 17cm

Aegean Sea (2019)
Tackle box · Edinburgh
Oil · 15.5 x 9.5cm

77% (2019)
Advertisement · London
Oil · 91.5 x 61cm

43% (2020)
Artist’s box · Brighton
Oil · 12 x 20 x 2.5cm

18% (2017)
Fire station sign · Edinburgh
Oil · 50 x 65cm

The cumulative effect [is] to make the viewer subtly but constantly aware of sea level, not as an immutable thing – the mean high-water mark that appears on Ordnance Survey maps – but as something that is in a constant state of flux...
— Roger Cox

54% (2019)
Projecting café sign · Belfort
Oil · 33 x 55 x 8cm

Weddell Sea (2019)
Tin · Oil

Galilee Sea (2019)
Tin · Oil

31% (2018)
Fire extinguisher plate · Edinburgh
Oil · 27 x 16cm

49% (2018–2019)
Re-formed plastic waste (approx. 1500 yogurt pots)
Oil · 112.5 x 104.5cm

Azov Sea (2019)
Tin · Oil

Kara Sea (2019)
Tin · Oil

Blind or Roll out the Ocean (2013)
Bus blind · Brussels
Oil · 200 x 100cm approx.

30% (2018–2019)
Post office sign · Belfort
Oil · 30 x 60cm

Timor Sea (2019)
Tin · Oil

Bellingshausen Sea (2019)
Tin · Oil

 

Sounds or Slides (2017–2018)
35mm slides · Brussels
Oil · 5 x 5cm

35% · Detail (2018)
Road sign · Paris
Oil · 96 x 25cm

59% (2019)
Tool box · Edinburgh
Oil · 40.5 x 30 x 8cm
Available

10% (2019)
Drawer base · Brussels
Oil · 24.5 x 23.5cm

Oceans or Portholes (2017–2019)
Stacked cylindrical objects · Various locations
Oil · Various dimensions

The reformed plastic and metal objects which [Cass uses here] are a new departure for an artist who has made much of his previous work of, on and from found wood. Sometimes the recycling is not only in the use of the material as a surface upon which to paint, but a reuse of the object itself, as with his use of the oil paints in a 100 year old artist’s box, to paint on its deconstructed exterior. The links with his theme are telling.
— Critics Choice, The Herald

33% (2019)
Curved advertisement · Rochefort
Oil · 58.5 x 39cm

Ionian Sea (2017)
Tin · Lucca
Oil · 6 x 4cm
Available

Iroise Sea (2020)
Copper shovel · London
Oil · 17.5 x 12.5cm

Straits or Trays (2018–ongoing)
Galley trays · Edinburgh
Oil · 34 x 23cm

Boundary · From the ancient Greek: horizon / hóros (2019)
Folded sign · La-Roche-sur-Yon
Oil · 25 x 25cm approx.

Celtic Sea (2018)
Tin · Edinburgh
Oil · 3.5 x 8cm

Sea rise is a very real threat to millions, yet in his beautiful and inspired repurposing and reuse of materials David Cass illuminates an alternative future. A future where the products we consume have lives beyond landfill sites. A future where resources are part of a circular economy, one that recognizes their value and the true cost of their waste.

The horizon is rising. Just how far is now down to us.
— David Reay

40% or Spido (2017–2019)
Spido oil sign · Belfort
Oil · 80 x 120cm

37% (2018)
Artist’s box · Brighton
Found oil · 25 x 12cm

Raukawa Strait (2020)
Galley tray · Edinburgh
Oil · 34 x 23cm

100% (2020)
Galley tray · Edinburgh
Oil · 23 x 34cm

45% (2019)
Galley tray · London
Oil · 25 x 18cm

Camotes Sea (2019)
Tin · Oil

19% (2018)
Motor oil sign · Brussels
Oil · 45 x 38cm

29% (2018)
Danger sign · Belfort
Oil · 40 x 90cm

Grau Sea (2019)
Tin · Oil

57% (2018)
Gas advertisement · Brussels
Oil · 38 x 97cm

Belle Isle Sea (2020)
Printer’s plate · London
Oil · 19 x 12.5cm

70% (2018–2019)
Re-formed plastic waste (plastic bottles / carrier bags)
Oil · 112 x 108cm