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Virtual Studio Exhibition

 
 
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I’m currently between studios, searching for the next workspace to transform. While I can’t offer an in-person studio visit at this time, I can offer this equivalent, designed as a virtual exhibition, ordered by Objet (object). Here, find new and recent water artworks painted onto a range of unique, diligently gathered found objects: bus blinds from Brussels, textile stamps from London, wooden boxes from Paris, marine pulleys from New England. Smaller works can be bought directly online and larger works discussed via phone or email. All of the pieces displayed below are shipped from the UK.

Every painting on this page carries the gift of clean and safe drinking water for one person in need in a developing country – for life – via one of my favourite charities, charity: water.

 
 
 

CANVAS & BOARD

(framed)

 

Trace (2023)
Canvas nautical map · Athens
Oil · 72.5 x 31.5cm
Price on request
Email to enquire

Contribute (2024)
Canvas & paper nautical map · Athens
Oil · 80 x 140cm
Price on request
Email to enquire

Persist (2023 – 2024)
Bus blind · Brussels
Oil bar, oil, pastel, plaster · 35 x 37cm
Price on request
Email to enquire

Congress (2022 – 2024)
Bus blind · Brussels
Oil bar, oil, spray paint, pastel · 32 x 68.5cm
Price on request
Email to enquire

Mend (2024)
Bus blind & salvaged canvas · Brussels
Oil · 43 x 38.5cm
Price on request
Email to enquire

Confer (2024)
Bus blind · Brussels
Oil · 60 x 40cm
Price on request
Sold

Reduce (2024)
Box lid · Fife
Oil, solar reflective paint, spray paint, ink
31.5 x 88cm
Price on request
Email to enquire

Account (2023 – 2024)
Bus blind · Brussels
Oil · 60 x 40cm
Price on request
Email to enquire

Observe (2024)
Board · Athens
Oil · 128.5 x 97.5cm
Price on request
Email to enquire

Measure (2024)
Beer mats · London
Plaster & oil · 50 x 46cm
Price on request
Email to enquire

Attempt (2022 – 2023)
Bus blind & book covers · Brussels & London
Oil · 70 x 70cm
Price on request
Email to enquire

Process (2024)
Board · Athens
Oil bar, oil, pastel · 80 x 75cm
Price on request
Email to enquire

 
 
 

Recent Gathering

 
 
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Every artwork on this webpage is made from reclaimed, recycled materials – usually of a functional nature. The banner image above features wooden marine pulleys found in the antiques barns of New England, photographed before transformation. The below slideshow carries images from flea markets in France and Belgium, visited this year and last. More recent gathering images can be found on my blog, alongside photographs of the journey.

 
 
 
 

PULLEY

 
 

CODFISH BOX

 
 

Tins have been a favourite item in the studio since 2017. My first set was exhibited in Rising Horizon in 2019, each named for a different sea. By 2020 I had amassed a large collection of tins, which became my principal focus during lockdown in 2020 & 21. Working from a small studio, these hand-held antique vessels became a daily ritual. By the end of lockdown and after a move to a larger studio (by the sea) I had set myself a goal the painting 365 of them – one for each day of the year. I completed the series in 2022 and exhibited them at Venice Biennale. Today, sixty-five of that original series remain, now back in the studio after exhibitions around the UK and further afield. The remaining unframed tins have been carefully grouped into clusters: 5 Days, 10 Days & 50 Days.

 
Five Days
£490.00
Ten Days
£880.00
 

These miniatures pay homage to the sea. They speak of time past, present and future; of function and the daily coming and going of the tide. These fleeting moments come together to describe a bigger picture, a collective memory.

“Each painting contains a different body of water, where the horizon line, time of day, and weather conditions vary in every unique view”, writes Kate Reeve-Edwards. “The painting process reacts and enhances the objects, working with them to create a new life. A circular ecosystem of reuse and repair is what Cass is gently encouraging. The hand-held world of the tin is regenerated: these small objects which once contained tobacco, mints, or teabags now convey new, bigger ideas...”

Delivery & installation is possible.

50 Days | Set
Painted antique tins
Price on request
Email to enquire

 
 
 

CARD

 
Adjust
£300.00
Gather
£400.00
Foster
£300.00
Craft
£300.00
Immerse
£400.00
Ground
£350.00
Stand
£300.00
Return
£340.00
 

DOOR

 
 

September 2020–April 2024
C.18th solid oak plank door · Norfolk
Gouache · 77 x 196 x 4cm
Selected for the John Ruskin Prize 2025

 
 
 

RUDDER

 
 
 

CONTAINER

 
Provence, July
£520.00
Boston, June
£400.00
Concord, May
£320.00
 
Years V
£580.00
 
Years VI
£600.00
 

CANVAS & BOARD
continued

(framed)

 
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Like those listed at the top of the webpage, these pieces – also painted onto a mix of canvas and board – are each hand-framed in stained oak. The majority of these paintings use bus-blinds as their surface, found mostly in Brussels. Bus-blinds are a type of “roll sign”, made of canvas or linen. Pre-digital, they would have been rotated by the driver (of a bus or tram) to indicate the direction of travel. Unrolled and pasted to board (or stretched like a canvas) they become an ideal recycled surface for painting onto.

 
 

Recount (2022 – 2023)
Bus blind · Brussels
Oil bar, oil, spray paint, pastel · 130 x 80cm
Price on request
Email to enquire

In a sense, these works are abstract. They don’t depict particular stretches of water, but are concerned with colours and moods; water is the language of the work as much as the subject.
— Susan Mansfield

Resist (2023)
Bus blind · Brussels
Oil · 80 x 80cm
Price on request
Email to enquire

Cultivate (2024)
Board · Athens
Oil · 80 x 50cm
Price on request
Email to enquire

For David Cass, the sea offers an endless source of wonder at its depths, history, bounty, and sometimes ferocity. Based between the Scottish Borders and Athens, the artist has long been fascinated by the power of water...
— Kate Mothes

Reach (2022 – 2023)
Bus blind · Brussels
Oil bar & oil · 75 x 75cm
Price on request
Email to enquire

Turn (2024)
Beer mats · London
Plaster & oil · 43 x 35cm
Price on request
Email to enquire

Identify (2022 – 2023)
Bus blind · Brussels
Oil bar, oil, spray paint, pastel · 120 x 80cm
Price on request
Email to enquire

Repurpose (2023)
Artist’s box lid · Paris
Oil · 32 x 24.5cm
Price on request
Email to enquire

 

PAPER

 
 

Three selected prints, available individually or as a set – framed in walnut, printed onto pro-pearl papers | Panthalassa was the super-ocean that surrounded the super-continent Pangaea, until the landmass began to break up around 250 million years ago. As a title for this series of photographs, Panthalassa (from the Greek πᾶν “all” and θάλασσα “sea”) is used to enforce the notion that these are each captures of the same ocean: our World Ocean. Spanning twelve years (and counting) these photographs have been taken as research (for painting projects), during material gathering trips, and from my previous sea-facing studio. They link to The Sea from Here, and other works exploring climate change and specifically variations in sea-level rise.

Panthalassa IV
£220.00
 
 
 

Learn more about the kind of works featured in this virtual exhibition in these three books. My largest volume, Where Once the Waters, was created as a place to compile not only images of the exhibition in Venice – featuring 365 tin paintings – but the research involved in producing the project. Rising Horizon and Light on Water were published by The Scottish Gallery to accompany exhibitions of the same names, of seascapes painted onto found objects.

 
 
 
 
 

An opportunity to purchase from my letters series. In this set (exhibited in the RA Summer Exhibition) four individuals – born in or near London – are informed of the effects of sea level rise on the River Thames across their lifetimes. They’re part of a larger project addressing hundreds of people around the world. The buyer will also be given the opportunity to have their own letter typed, included in the price.

 
Thames Letters
£880.00