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Panorama 1, Light on Water copy.jpg
 

Commit (2023)
Bus blind · Brussels
Oil · 75 x 80cm
Sold

Identify (2022 – 2023)
Bus blind · Brussels
Oil bar, oil, spray paint, pastel · 120 x 80cm
£3900

Contribute (2024)
Canvas & paper nautical map · Athens
Oil · 80 x 140cm
£3850

Reduce (2024)
Box lid · Fife
Oil, solar reflective paint, spray paint, ink
31.5 x 88cm
£1800

Congress (2022 – 2024)
Bus blind · Brussels
Oil bar, oil, spray paint, pastel · 32 x 68.5cm
£2200

Persist (2023 – 2024)
Bus blind · Brussels
Oil bar, oil, pastel, plaster · 35 x 37cm
£840

Observe (2024)
Board · Athens
Oil · 128.5 x 97.5cm
£4000

Confer (2024)
Bus blind · Brussels
Oil · 60 x 40cm
Sold

Recount (2022 – 2023)
Bus blind · Brussels
Oil bar, oil, spray paint, pastel · 130 x 80cm
£3900

Attempt (2022 – 2023)
Bus blind & book covers · Brussels & London
Oil · 70 x 70cm
£2400

Trace (2023)
Canvas nautical map · Athens
Oil · 72.5 x 31.5cm
Sold

Measure (2024)
Beer mats · London
Plaster & oil · 50 x 46cm
£980

Account (2023 – 2024)
Bus blind · Brussels
Oil · 60 x 40cm
£1100

Mend (2024)
Bus blind & salvaged canvas · Brussels
Oil · 43 x 38.5cm
Sold

Process (2024)
Board · Athens
Oil bar, oil, pastel · 80 x 75cm
£2820

 
 

Light on Water also includes artworks painted onto more three-dimensional found objects, including items as diverse as boat pulleys, doors and wooden boxes. Many of these come from the same flea-markets and antique shops where the canvas-like surfaces above were sourced.

September 2020–April 2024
C.18th solid oak plank door · Norfolk
Gouache · 77 x 196 x 4cm
Shortlisted for the John Ruskin Prize 2025
Price on request – email to enquire

Cass zooms outward as he paints undulating waves on antique tins, matchboxes, pulleys, and more ... Visible swipes of paint delineate the horizon in some pieces, while others are entirely awash in curved lines. Interested in conveying the effects of a heating planet and rising waters, Cass uses repurposed, human-made containers representative of physical constraints as metaphors for our collective limits to adapt.
— Joy Machine
 
 
 

Flask (2024)
Rare wooden teardrop canteen · Athens
Oil · 32 x 14 x 10cm
Sold

Flask (2024)
Rare wooden teardrop canteen · Athens
Oil · 32 x 14 x 10cm
Sold

Pulley III (2024)
Metal marine pulley · Norway, ME
Oil · 10 x 2.5 x 1.5cm
Sold

Pulley IV (2024)
Marine pulley · Camden, ME
Oil · 18 x 8 x 6cm
Available

 
 
Somehow [Light on Water] manages to be both an in-depth reflection on surfaces of water (if that is not an inherent contradiction) and to embody deep concerns with climate change. In a sense, these works are abstract. They don’t depict particular stretches of water, but are concerned with colours and moods; water is the language of the work as much as the subject. The hang places the paintings at different levels, creating the sense of the work as the sum of its parts as well as inviting us to look at individual components … Cass approaches his subject with such energy and engagement that it’s rarely dull, and manages to spark reflection on climate change without allowing [Light on Water] to feel heavy-handed or overly didactic.
— Susan Mansfield, The Scotsman ★★★★
For David Cass, the sea offers an endless source of wonder at its depths, history, bounty, and sometimes ferocity ... the artist has long been fascinated by the power of water, especially its increasing vulnerability to the effects of the climate crisis. In Light on Water, the artist continues to address the warming and rapid rising of ocean levels around the world through paintings that hover between abstraction and representation. Cass draws attention to estimates that 91 percent of Earth’s excess heat energy trapped in the climate system is stored by our oceans. As the planet continues to warm, this storage capability disappears, threatening all manner of life...
— Kate Mothes, Colossal

The Scottish Gallery (September 2024)
Photographer: John McKenzie

Joy Machine Gallery (April – June 2025)
Photographer: David Cass